After I’ve read some press coverage on Gangnam Blues and finding out that most of them talked about the film in positive light, I felt a bit more secure.
Choosing Gangnam Blues wasn’t a choice I made to change into a manly character or to escape from the idol image I had through previous works. I had always thought I would like to work on a film once I’ve become mature enough. That was when I received the screenplay from director YOO. He waited for me for a year while I finished up taping for The Heirs and I’m thankful that I was able to do my first film with him.
I always clear my schedule a month before any new project. In that time, I refresh myself, both body and soul before starting something new. But after The Heirs, I had a lot of schedules in China and felt like I didn’t have enough time to get myself prepared. But once we started shooting, YOO trusted my performance and it worked out.
My character Jong-dae is not a super ambitious character. He wanted a normal life with a family and a house. So while under the skins of Jong-dae, I tried to portray a person who is running towards the better life and trying to run away from the bad times. I wanted to show that he wanted to escape from the present. I personally had some tough years of my own, and I wanted to express it through Jong-dae’s life.
Jong-dae’s piercing stare reminds me of the character you played in Public Enemy Returns (2008).
Director YOO also told me that he liked my eyes in Public Enemy Returns. During that time, the hungry eyes were very real. But maybe life has become better for me. YOO told me my stare has changed, and I put in a lot of effort to bring back that raw look.
The reason why I have to work so hard is because I need to be responsible. Many fans in Korea and China are waiting for my next work. If I want to be proud in front of my fans, I feel like I should keep on working hard. With Boys over Flowers, I’ve earned a lot of fandom especially from China. There will come a time when I will look back at the past and say, “those were my golden years.” I want to make sure that I won’t regret anything when that day comes.
I was able to act as much as I want, and I feel like I’ve really become an actor. There was a team dinner after finishing Public Enemy Returns. At the gathering, I was amazed by the minds of film professionals and admired them. Through Gangnam Blues, I had the same experience. When the staff members relate to what I felt as a character, we became one through the film. That experience was priceless.
Cre WOODYTALK CH
There’s no knowing her. She’s been successful as an actress, producer, composing, conversation and more. It’s hard to regulate her in one category. Koo Hye-seon always stimulates the curiosity with her ways of releasing her desires with various ways.
However, her ways of expression don’t always agree with the public. Criticisms that she’s an unrecognized but pretty actress who is caught up in her world and just branching out through various methods, is always bothering her. Why is she dealing with all these criticisms and still struggling to fulfill her desires?
We met Koo Hye-seon at the YG Entertainment building. She recently released her third feature film called “Daughter” but what she got in return were more whipping than appraisals. Read More…
Cre chow tai fook
[Interview] TenAsia – Ku Hye Sun: “Not that I have more talents than others, it is that I am more delayed than others.”
Ku Hye Sun is referred to as “all-around-beauty who can do anything” But she is also referred to as one who cannot do anything well. To all these references, Ku Hye Sun says that she is” developmentally about 10 years slower than others. I have not found my major yet.”
To find her major, Ku Hye Sun is diligently building her skills and talents. Already, this is her third feature length movie. But, it is her first time not only directing but also appearing in her movie.
you must be familiar by now with being called a director. This is already your 3rd movie.
Ku: I don’t have much thought about it. (laughter)
How did you think of the story?
Ku: Talking with married friends… (omitted as it has been covered in previous interviews/ articles)
Isn’t it your story?
Ku: No, it is not my story. There are some similarities. My parents tend to be strict and a bit of my mom is in it. Of course, if it was entirely my story, I think I would be tearing and having hard time talking about it.
It is not a usual mother’s love story.
Ku: I also grew up getting hit a lot. But, my mother does not remember. (laughter) It is because she does not think of it as using force/violence but a way to teach a child right from wrong. But, to a young child, it could be felt as violence and force. I wanted to portray how a same incident can be experienced differently through a movie. That is how I interviewed my friends. In the movie, the mother tells Sanyi that she will get hit 5x for getting one problem wrong. Many parents were like that while we were growing up. It may sound shocking now, but it was very common. It is common now too. The image of mother may change depending of the generation. Parents may also feel much pressure to raise a child well.